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Thecast and crew of Orange Is The New Black did not mince words Friday when they sent a message to Donald Trump: 'F*** You.' The OITNB fam is the latest major TV show to denounce Trump, following Cest la fin d'une ère. Orange Is The New Black, l'une des toutes premières séries originales Netflix, s'arrêtera après sa prochaine saison. Développé par Jenji Kohan (Weeds) en 2013, le Surle neuf comme avec un produit Pop Orange Is The New Black occasion, profitez de l'ensemble de nos avantages client exclusifs pour faire un maximum de bonnes affaires. NEWARRIVALSVIEW ALL Vlone x Tupac Thug Life Album Art Black T-Shirt $ 180.00; 33%. Select options Add to wishlist. YoungBoy NBA x Vlone All In Tee $ 299.99 $ 199.99; 25%. Select options Add to wishlist. Vlone Young Boy Kacey Talk Hoodie $ 299.99 $ 224.99; 7%. Select options Add to wishlist. Vlone Rodman Devil Hoodie – White $ 300.00 $ 280.00; 28%. Select Oct 18, 2018, 6:57 AM PDT. By Variety. "Orange Is the New Black" is set to end after its upcoming seventh season on Netflix. The cast of the series broke the news in a video post on Wednesday Ou Rencontrer Des Femmes Celibataires A Montreal. As with any book-to-film adaptation, there are clear differences between Piper Kerman’s 2010 memoir Orange is the New Black My Year in Women’s Prison and this summer’s Netflix Original adaptation, with Weeds creator Jenji Kohan at the helm. There are dozens of ways the show changed in its book-to-TV adaptation. The character of Delicious in the memoir is renamed Taystee in the series, Yoga Janet becomes Yoga Jones, the guard “Gay Pornstar” earns the even nastier nickname “Pornstache.” “Crazy Eyes” is Latina in the memoir, and isn’t NEARLY as aggressive as her African-American television counterpart. In the memoir, Piper’s fiancé Larry is basically perfect, on the show he’s a bordeline-offensive Jewish cliché who jump-starts his writing career by stealing Piper’s best prison material for his Modern Love column a real-life event that wasn’t nearly as creepy in real life and a segment on a This American Life-like radio show. And, my personal favorite, the prison jackets are “ugly” in the memoir, on film those coats are so bad-ass I’ll bet you my Netflix subscription that Old Navy and Forever-21 are racing each other to see who can mass-produce that shit by Christmas first. Here’s the thing. We can compare and contrast book and show until we’re out of things to compare and contrast. At the end of the day, there’s one difference between the book and the show that stands head and shoulders above the rest. Orange is the New Black is a fine memoir. Orange is the New Black is a revolutionary first season of television. As a memoir, Orange is the New Black is cover-blurbed by Eat, Pray, Love author Elizabeth Gilbert, and this makes ALL the sense in the world. Orange is the New Black is of the Eat, Pray, Love tradition a skinny, blonde, upper-middle-class white woman becomes a fish out of water and through her misadventures, finds herself. The world is interesting enough, the prose is good enough, every problem is resolved and tied up with a neat and pretty bow. I don’t mean to damn with faint praise. The book works. It’s a good book. If you like this type of memoir, you should read this book. True Story Newsletter Sign up for True Story to receive nonfiction news, new releases, and must-read forthcoming titles. Thank you for signing up! Keep an eye on your inbox. By signing up you agree to our terms of use As a television show, Orange is the New Black is a game-changer. We start with Piper as our touchstone, but we quickly find ourselves amidst an ensemble of female leads who are black, white, Latina, old, fat, gay, transgender, track-marked, meth-teethed, or, in other words, the kinds of women that usually get two lines on NCIS before they are shot or led away in handcuffs. This is truly a feminist’s show. And it’s not just feminism for cute, young white girls see, well, Girls. It’s feminism for women, all women, we all see ourselves on this show, this show says no matter what we look like or where we come from, we are worthy of being watched and listened to, our stories are worth caring about. Instead of slapping the Bechdel Test on this show like I’ve had to do with almost all other new media I’ve consumed this summer, I had to do a REVERSE Bechdel Test on this show Are there two named male characters? Do they talk to each other? Do they talk to each other about something other than a woman? I’m not sure this show passes on account of that last question. And after years of watching film and television fail the regular Bechdel test, I’m okay with that. This isn’t to say Jenji Kohan for the win, Piper Kerman for the lose. On the contrary, Piper Kerman is a consultant on the show and appears to have a lot of influence on the content. So Jenji and Piper both for the win, together they’ve made a hell of a team. I usually hate giving the adaptation more props than the book it was based on, but with Orange is the New Black, I don’t have much of a choice. As a memoir, it played right into its genre. As a television show, it’s changing the cultural conversation of who is worthy of having their story told. Whatever splash it made as a memoir can’t compare to the tidal wave it’s made as a television show. I can’t wait to see the aftershocks that follow. ____________________________ Sign up for our newsletter to have the best of Book Riot delivered straight to your inbox every two weeks. No spam. We promise. To keep up with Book Riot on a daily basis, follow us on Twitter, like us on Facebook, , and subscribe to the Book Riot podcast in iTunes or via RSS. So much bookish goodness–all day, every day. Orange Is the New Black season 7 Release date, cast, trailer, plot and everything you need to know Tomorrow, Netflix will release fourteen new episodes of the hit series Orange Is the New Black, inevitably renewing discussions of a host of prison issues. From the start of the series, the incarcerated women of Litchfield Penitentiary warn protagonist Piper Chapman about the horrors of “the SHU,” the federal prison’s Segregated Housing Unit. Chapman’s character, loosely based on writer-come-advocate Piper Kerman’s experiences with prison, has spent thirty days in solitary in the course of the first three seasons. Although Kerman never spent any time in solitary while incarcerated, her fictional counterpart emerges from SHU visibly troubled in the second season premiere. On the third and most recent season, two characters effectively disappear. Both are sent to solitary confinement, and both are not heard from for the rest of the season, mirroring the silence that characterizes the practice. Natasha Lyonne’s character, Nicole Nichols, is sentenced to time in administrative segregation following a drug charge. Transgender woman Sophia Burset, portrayed by Laverne Cox, is shanked by a group of women in a hate crime and is sent to protective custody after the incident. For Orange is the New Black, a show whose plot hinges upon the relationships between women on the inside, solitary confinement holds little entertainment value. Rather than focusing on the experiences of women in solitary, the show naturally follows those able to communicate with the outside world, a telling omission that illustrates how those in the box are erased from the narrative. Regardless, OITNB has managed to spark conversation both in public discourse and in more official settings. In 2014, Kerman testified before the Senate Judiciary Subcommittee on the Constitution, Civil Rights and Human Rights. The hearing, “Reassessing Solitary Confinement,” gave Kerman a platform to express the specific traumas facing women who enter solitary in our prisons. Regarding sexual assault, she said, “Solitary is…misused as a threat to intimidate and silence women who are being sexually abused by staff…The terrible threat of isolation makes women afraid to report abuse and serves as a powerful disincentive to ask for help or justice.” [transcript] Despite the recent growth in news and social media, solitary confinement as a plot-point in television remains sparse, at best. Its first small-screen appearance 1995’s “F. Emasculata” episode of The X-Files is among a small handful of times TV viewers have been asked to incorporate solitary confinement into their entertainment. After a few appearances exclusively in passing and often in sitcoms [My Name Is Earl – “Didn’t Pay Taxes”, 2006], the effects of prolonged isolation were explored for the first time in primetime. Law and Order Special Victims Unit aired “Solitary” on October 7, 1999, highlighting the lasting psychological effects and potential dire consequences of solitary confinement. Detective Elliot Stabler voluntarily spends a three days in solitary after being attacked by Callum Donovan, a man he had helped put away years earlier. After learning about Donovan’s 15-year stay in solitary to avoid recruitment to the Aryan Brotherhood, Stabler elects to try it out for himself. Shortly into his stay, he becomes agitated and even slightly delusional. Before, he had wanted Donovan back behind bars; he changes his perspective following his own time and thinks Donovan should walk. On the non-fiction front, MSNBC’s Lockup and National Geographic Channel’s Lockdown both present a documentary-style look into what National Geographic calls “America’s hardest prisons.” This sensationalized, dramatized version of what goes on inside our prisons reflects a narrative driven by the desire to create a divide between criminals and citizens. Viewers may become convinced that, as terrible as these places are, they are necessary to house our worst, most violent offenders. Violent treatment toward those with a history of violence, however, does not prevent future dangerous behavior. Furthermore, men and women serving sentences in solitary often get released back into their communities directly from solitary, which boosts recidivism rates and can increase the risk of violent reoffending. There are also thousands of non-violent people in solitary confinement, which undermines the narrative of “Lockup” and “Lockdown.” This “worst of the worst” theme allows viewers to dodge accountability and excuse the practice. In the world of “reality” television, Fox Reality Channel aired a game show entitled Solitary from 2006 to 2010. At the start of the season, we enter a complex in which contestants are imprisoned for a number of weeks. The last one standing wins $50,000, and each contestant seems fully prepared to test his or her limits in order to win the money. The Survivor-style show creates an atmosphere in which the contestants’ actions are dictated by a computerized voice named Val. Val refers to her prisoners as Number One, Number Two, and so on, and she is their only source of contact throughout the show. There are various elements in the show that distract from the fact that contestants are participating in a practice that has been condemned in the human rights field and by the UN Special Rapporteur on Torture. The upbeat background music, brightly colored units, and omnipresent robot voice replace the extreme silence, drab and muted colors, corrections officers, and abuse occurring in real solitary confinement units. In this context, the fascination with testing human limits extends as far as simulating torture. The nature of the show trivializes true experiences in solitary, making it out to be a test of various strengths rather than a forceful denial of basic human rights and human contact. Contestants do not have to live with the stigma of being incarcerated, and they are able to leave whenever they want, returning to their lives, jobs, and families seamlessly. Men and women being held in solitary in real prisons may lose months or even years of their lives, and remain permanently scarred. The increase of televised attention to solitary confinement in recent years begs the question Is flawed media better than no media at all? Many viewers may have forgotten about OITNB’s Nichols and Burset when they left the general population. Is their absence enough to increase awareness about the depths of the system they were entering further into? When Burset is sent to protective custody, Michael Bryan French’s character, a higher-up prison official, has no awareness that it is a form of solitary confinement. Is getting this message across to the viewer enough to change attitudes regarding the practice? Whatever its flaws, Orange Is the New Black’s presentation of solitary confinement to its enormous and critical audience is a step forward. Although viewers should not assume that the show imparts an accurate education on the prison system, presence may lead to pertinence, which allowed Kerman to deliver her testimony. Making the issue present in popular culture and in news media serves to reach people who would not normally be interested. As for reality-style series, Lockup and Lockdown could offer a more critical look into the prison system, rather than capitalizing on the split between criminals and society. For a country that prides itself for its human rights record, it would be interesting for the shows to take a look at how and why the conditions of “America’s hardest prisons” were created and how and why they are being sustained, even after being deemed torture. And taking institutionalized violence as a premise for a game show – like Solitary – simply serves to capitalize on, if not further normalize, torture. In the past year alone, solitary confinement has made great strides in penetrating mainstream political culture, with everyone from the Pope to Supreme Court Justice Anthony Kennedy to President Obama denouncing its devastating effects. Yet so far, reforms have brought practical change to a small percentage of the nearly 100,000 people currently in solitary. More progress is not inevitable, and popular culture can have a true impact by making bold choices that promote justice over complacency. Le Point Pop Séries La prochaine et septième saison de la série carcérale de Netflix sera la dernière, mais les créateurs sont déjà partants pour une suite. La dernière saison d'Orange Is the New Black sera diffusée en 2019 sur Netflix. © Netflix Chez Netflix, les bonnes choses n'ont pas de fin. Le mois dernier, le service de streaming annonçait l'arrêt définitif de la série Orange Is the New Black, qui se conclura en 2019 après sept saisons. Mais Lionsgate Television, le producteur de la fiction carcérale, ne compte pas s'arrêter là. Orange Is the New Black reste l'une des séries les plus regardées sur Netflix. … Quand le temps sera venu, nous allons discuter davantage avec Jenji Kohan [NDLR la créatrice] au sujet d'une éventuelle suite », a déclaré le PDG du studio indépendant au cours d'une téléconférence, relayée par le site spécialisé Hollywood Reporter. Selon Tara Hermann, l'une des productrices, les équipes d'Orange Is the New Black ont plusieurs idées de spin-off à l'étude. Parmi elles une pièce à Broadway, ainsi qu'une autre série centrée sur des couples, comme ceux formés par Larry Bloom et Polly Harper ou par Cal et Carol Chapman. Mais la productrice précise qu'il faudra attendre la fin de la septième saison avant que tout cela ne dépasse le stade embryonnaire. À l'image de Breaking Bad avec Better Call Saul et de Game of Thrones avec son futur spin-off, l'univers d'Orange Is the New Black semble bien parti pour un nouveau tour de piste. Débuté en 2013, le programme est inspiré d'une histoire vraie et met en scène la période carcérale de Piper Chapman incarnée par Taylor Schilling, mise en détention au sein de la prison de Litchfield pour trafic de drogue. Saluée pour ses dialogues incisifs, ses personnages attachants issus de la diversité, Orange Is the New Black s'est imposée au fil des saisons comme l'une des têtes de gondole de Netflix. La dramédie » a contribué à populariser la plateforme de streaming, où elle est exclusivement diffusée. En attendant cette fameuse suite, on pourra assister en 2019 aux ultimes aventures carcérales de Piper, Alex et Crazy Eyes, à l'occasion d'une septième saison qui promet d'être riche en émotions. Je m'abonne Tous les contenus du Point en illimité Vous lisez actuellement Orange Is the New Black pourrait avoir droit à une suite Le pouvoir expliqué par les séries 8,90€ Qui n’a jamais réfléchi à l’ascension du populisme devant un épisode des machiavéliens Game of Thrones ou Baron Noir ? Ou au bien-fondé – ou pas – de la transparence en politique en visionnant Borgen ? Quant au succès planétaire de La Casa de papel, ne reflète-t-il pas la montée de la pensée antisystème » dans nos démocraties ? Plus pragmatiquement, que nous enseignent, du pouvoir, de ses enjeux et de ses jeux, sur la manière dont on le conquiert et dont on le garde, les grands récits contemporains que sont les séries ? Soyez le premier à réagir Vous ne pouvez plus réagir aux articles suite à la soumission de contributions ne répondant pas à la charte de modération du Point. Funko Pop Orange Is the New Black offers some of the first collectibles for the hit Netflix show. It might not be the place a lot of people expect vinyl figures, but when you're one of the most talked-about shows of the 2010s, there are bound to be 2015 lineup includes five main figures, which is on the small side for a show with such a big cast. Leading things is Piper Chapman played by Taylor Schilling, Orange Is the New Black's central character. Others include Alex Laura Prepon, "Crazy Eyes" Uzo Aduba and "Red" Kate Mulgrew. The only male figure is George Mendez Pablo Schreiber, a scheming guard better known as "Pornstache."Hot Topic is the place to find the "Crazy Eyes" exclusive with Suzanne holding a piece of for Orange Is the New Black collectibles on Funko Pop Orange Is the New Black vinyl figures are part of the massive Pop! Television leave a comment below or email us if you notice any missing Pop Orange Is the New Black Figures Checklist245 Piper Chapman 246 Alex Vause 247 Galina "Red" Reznikov 248 Suzanne "Crazy Eyes" Warren 248 Suzanne "Crazy Eyes" Warren - Hot Topic 249 George "Pornstache" MendezFunko Pop Orange Is the New Black Figures Gallery245 Piper ChapmanBuy on Alex VauseBuy on Galina "Red" ReznikovBuy on Suzanne "Crazy Eyes" WarrenBuy on Suzanne "Crazy Eyes" Warren with Pie - Hot TopicBuy on George "Pornstache" MendezBuy on eBay. Ryan Cracknell E-Mail Author Ryan is a former member of The Cardboard Connection Writing Staff. His collecting origins began with winter bike rides to the corner store, tossing a couple of quarters onto the counter and peddling home with a couple packs of O-Pee-Chee hockey in his pocket. Today, he continues to build sets, go after inserts with cool technologies, chase Montreal Expos and finish off his John Jaha master collection.

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